The Decade Cycle: III. Forty-two (Prelude & Fugue)
A prelude & fugue in the tradition of Bach’s Well-Tempered Clavier – or is it a Renaissance Motet reharmonized by an electric bass? Plus there’s a soprano sax solo.
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But we are proud to say that Leonardo Dugan contributed 21 entries already.
A prelude & fugue in the tradition of Bach’s Well-Tempered Clavier – or is it a Renaissance Motet reharmonized by an electric bass? Plus there’s a soprano sax solo.
Renaissance-style parody of Palestrina’s Alleluia Tulerunt Dominum meum
Counterpoint meets multimedia! More of these to come!
Multimedia music/video composition. Text by the composer.
This Sarabande, originally for violin & piano, was composed in memory of my grandmother, Olga Marchesano (1916-2019). My dad, Charles Dugan, arranged, performed, and recorded this version for mandolin ensemble.
I. I Have a Rendezvous with Death II. In Flanders Fields
Multimedia music/video composition, text by the composer.
Leonardo Dugan, low whistle and electronics Traditional, arranged by Leonardo Dugan
Leonardo Dugan, soprano saxophone Peter Dugan, piano Alex Salwach, bass Will Kain, drums Arrangement by Leonardo Dugan, copyright 2012.
Leonardo Dugan, alto saxophone and electronics Composed by Leonardo Dugan, copyright 2008. Text adapted from William Butler Yeats, The Stolen Child.