The Decade Cycle: III. Forty-two (Prelude & Fugue)
A prelude & fugue in the tradition of Bach’s Well-Tempered Clavier – or is it a Renaissance Motet reharmonized by an electric bass? Plus there’s a soprano sax solo.
A prelude & fugue in the tradition of Bach’s Well-Tempered Clavier – or is it a Renaissance Motet reharmonized by an electric bass? Plus there’s a soprano sax solo.
Renaissance-style parody of Palestrina’s Alleluia Tulerunt Dominum meum
Counterpoint meets multimedia! More of these to come!
This Sarabande, originally for violin & piano, was composed in memory of my grandmother, Olga Marchesano (1916-2019). My dad, Charles Dugan, arranged, performed, and recorded this version for mandolin ensemble.
I. I Have a Rendezvous with Death
II. In Flanders Fields
I. Sonatina (for Nola)
II. Arietta (for Lauren)
III. Rondino (for Lucy)
I. The Monster Acheron
II. Sirens
III. The Squonk
IV. The A Bao A Qu
V. The Western Dragon and the Eastern Dragon